A tri-force of unstoppable ferocity

My editor, Chris and my agent, Sid are waiting for me when I arrive in the coffee shop. I thought I was on time but when I look at my watch I see that I’m not.

Sid looks absurdly happy to see me and it touches something in me and I hold out my hands in an exaggerated greeting. “Hey!” I say. “Dudes!”

Sid gives me a high-five while Chris nods his head and forces a smile. “Christopher,” he says.

I sit down on a wooden chair, keeping up an absurd air of frivolity. “Isn’t it a great morning? Sid, it’s good to see you, but I told you, you don’t need to come to these little meetings.”

“You’re my client. It’s my job.”

“Still, there’s no real need for you to be here.”

“I had nothing better to do,” he says, and my smile drops a little because he isn’t joking.

“Shall we order a drink?” I suggest.

“Good idea,” Chris says. He attracts the waitress’s attention and squints at the blackboard. “This menu is confusing.”

“I know,” Sid agrees. “I don’t trust anything but Starbucks or Costa Coffee now.”

“You know where you are with them,” Chris says.

The waitress arrives with a pad and a pen. “Good morning. What can I get for you?”

“I’ll have a Cappuccino,” Chris says.

“A Mocha for me please,” Sid says.

“And for you, sir?” she asks me.

“I’ll just have a Scotch on the rocks, please.”

She looks at me uncertainly. “Um…we don’t have any alcohol, I’m afraid.”

“Damn,” I say. “I’ll settle for a beer, then.”

“No, we don’t have any alcoholic drinks here.”

“What?”

“This is a coffee shop,” Chris says, unable to hide his disgust.

“I don’t drink coffee,” I whine. There’s an uncomfortable silence which I fill when it seems no one else will. “A tea then, please.” The waitress nods and moves away. “A double,” I call after her. She ignores me.

My mood has darkened. Chris looks at his watch. “Well, really I just wanted to try and close the book on the book,” he says. I can tell he usually uses this as a joke but with me there is no humour. “Have you gone through the final corrections?”

“Hey!” I say to Sid, suddenly remembering. “Are you still seeing that girl from Hore’s?”

“No.” He looks miserable. “Things didn’t quite work out there.”

“That’s too bad.”

“In fact, she changed her mind before we even got back to my flat. It was a frustrating evening.”

“You told me you’d been on a few dates. You told me she’d met your mother.”

He shrugs. “Well, I was embarrassed.”

“And now?”

“Just a bit angry.”

Chris cuts in. “Do you think you two can discuss your love life afterwards? This is actually a business meeting and I do have a lot to get through today. I chose this place because you’re always so glazed over in my office. But it should still be semi-formal.”

“I don’t have a love life,” I tell him. “I’m married.”

Sid laughs which makes me laugh. The drinks arrive in china cups. Chris and Sid’s come with a free mini-shortbread but mine doesn’t which makes me slightly sad.

“Anyway,” Chris tries again. “I’ve done all the work and I’ve sent it over to you and now I just need you to sign off on it and we’ll be done.”

“You should come out with us,” Sid tells Chris. “I think together we’ll make a tri-force of unstoppable ferocity.”

“I’m married,” Chris says, and Sid shrugs. Chris turns back to me, impatient. “Why have you not finished it yet?”

“My computer was running slow,” I say, “And I thought it might have a virus. I downloaded some anti-viral software, and that turned out to be a virus. It’s been a frustrating two weeks.”

“Look,” Chris says, “I can assure you it’s all in order. Just sign off and we can put it to bed.”

“I can’t do that. I have to read it. When I find grammatical errors in books I find it really alienating.”

“OK. A, there will be a separate final check before it goes to print, B I am a damn good editor. This isn’t a rock biography. This is a novel and I respect novels and you can trust me just a little bit.”

“It’s not a trust thing,” I say. “I just need to do it myself. I’ll do it in the next few days.”

“The board likes to know everything is running to schedule.”

Sid took a sip of his coffee. “The book isn’t out for six months. Can’t the board just relax?”

“No, the board can’t ‘just relax’! They get nervous and jumpy with me.”

“I’ll get it done,” I assure him again.

He puts his head in his hands. “I just want it to be over. I’ve spent a disproportionate amount of my time on this project, you know.”

“Sorry,” I say genuinely.

“And it’s still not as good as it could have been. I’m used to debut novelists being precious and argumentative about the changes I suggest but you just ignored them all. I tell you, you’re lucky Harper Collins didn’t drop the project citing breach of contract.”

“I would never have let that happen,” Sid says, and Chris and I suppress smirks.

“It’s still a sci-fi novel, though. Or is it?” I ask, suddenly excited.

“Yes, it’s still sci-fi,” Chris assures me.

“Oh,” I say. “Well, you should like it then.”

“But I’m not a sci-fi editor,” Chris tells me.

“I’m confused.”

“Bradley had too much on and sometimes we have to cover each other. I drew the short straw.”

“This isn’t what Christopher needs to hear,” Sid says.

“Oh I don’t care anymore,” I say. “No one’s got behind me on this thing.”

“We are behind you, Christopher,” Chris sighs.

“Remember,” Sid tells me, “You’re having a novel published by a major company. Now we’ve got to go out there and sell it.”

“Well, first you’ve got to finish it,” Chris reminds me.

I feel low and ungrateful, which makes me feel lower, and because of this I imagine that something more positive will come out of the meeting and that we will part with hugs and apologies and platitudes such as ‘I really do respect you as an artist’, but in reality, Chris gets up without finishing his drink to get back to his office and I have to make my excuses to Sid to avoid spending the rest of the day with him.

At home, I watch Bid TV for a few minutes which motivates me to start reading through the final draft.

Late Shift At Bid TV

I walk into the Sit-Up production offices at 3pm and immediately the sense of dread kicks in. The faces on the crew tonight – directors, producers, presenters, floor managers, sound and camera operators – are all familiar but none are welcoming. After three years as a freelance camera operator here, I have failed to make any kind of significant connection with any of them. The meeting is already underway, and I sit apart from the others, too apathetic to show any interest in the information being imparted, nodding at a few of the people who look my way. The gesture is not returned.

The head cameraman, for reasons I cannot fathom, has a soft spot for me, and so the phone calls continue and I drive the two miles into Acton and do my mini tours of duty.

Peter Simon is holding forth at the meeting, gently complaining about the colour of the jewellery displays. “I know I say this almost every day,” he is saying, “But, well, it never seems to change. If we’re selling gold or silver coloured rings and bracelets, it just doesn’t make any sense to me to have yellow or white backgrounds. I mean, it doesn’t show up. We need brightly coloured backgrounds, like red or blue. That way, the jewellery shows up. I mean, am I wrong? Sometimes I feel like no one listens in this place. The problem with the yellow and white backgrounds is that the gold and silver doesn’t show up…”

He continues but I tune him out and read a book, putting my feet up on someone’s desk, not caring whose. Twenty minutes later on the way out, Simon stops on his way to make-up and hits me on the shoulder. “’Ey,” he says, taking an interest in something I wish he wouldn’t. “Not long now, surely?”

“Well, still a good seven months away unfortunately.”

“Why does it take so long?” he asks rhetorically. “’Ere,” he says, tapping my shoulder again, “Someone should write a bloody book about this place.”

“Well, if I could find a way of setting it in the future with Cyborgs and laser guns, maybe my publishers would let me.”

Peter Simon nods uncertainly, not getting me. “Well,” he says, “Good luck ‘ey?” And he bounds off, beaming.

In the Bid TV studio, I walk up to one of the two camera operators being relieved. “Alright?” I say.

“Alright,” he says back, and gives me his headset. There is nothing else to say. I put my hands on the camera and perform a long, slow tilt down a necklace. Almost immediately a vague sense of panic sets in. I have ten hours of work to come, seven hours of which will be spent on camera. I’ll never be able to think of seven hours of shots, I think. I will go mad, I imagine. Time stretches and stops here, I know.

But I manage two shots, then a third, and a forth and that is how time is marked; shot by shot, product by product, hour by hour. The music begins to nag at my senses after ten minutes, the endless repetition of a mindless, inoffensive ditty that is barely noticed by the viewer but that on one side of the studio, the one with the ‘speaker, is almost unbearably loud.

I’ve been lucky with the director. He is one of the one’s who doesn’t care, who doesn’t take it seriously, who understands that it’s just shopping telly. The other cam op is OK too, someone who I can say stupid stuff to when I’m going crazy and who’ll play along. He’s on Camera 2 at the moment, the one where you get a bit of respite, and he saunters over to me while he has a moment, nodding hello.

“I don’t think I can do this,” I tell him. “I might go home. I’m going to walk out and go home and just not spend money anymore.”

He smiles. He can empathise. Morale is low here. Three months is the point where new recruits are ground down and earn their thousand-yard-stare. Michael has been here for over a year. He is entering the stage known as acceptance. “I thought you were going to be some big-shot author,” he says and I grimace. “Shouldn’t you be rolling in it?”

“Only a small number of authors manage to earn a living from fiction alone,” I tell him. “One has to regard it as a very time consuming hobby.”

“So no one bought your book then?”

“It’s not out ‘till October. How can you not know this? Are you not going to buy it?”

“I’m not much of a reader,” he says, and walks back to his camera.

After only half an hour an ache creeps into my calves and feet. This is a bad sign.

After an hour we swap and I get onto camera 2. I walk up to the assistant presenter (formerly known as model). She is a cute blond called Laura but she arouses nothing in me. When I first started here, the models got me through the day; a cavalcade of gorgeous ditsy girls with tits spilling out of their outfits, casually adjusted every time the camera was about to swing their way. Even in the darkest depths of a twelve-hour mid-shift, all it took was a quick glance to spark off dirty fantasies involving one or more of them; chance meetings in the dark studio after-hours leading to quick, frantic sex on the patch of carpet Andy Hodgson uses to demonstrate the suction power of vacuum cleaners, or a weekend away on a promo shoot where, over a few drinks, sad stories of useless boyfriends are told and then tears are mopped up and forgotten with, well, quick, frantic sex. For a long time though (and even before their uniform was changed from tight revealing shirts to more conservative, tasteful tops), the crushing weight of working here overwhelmed any vague hopes of sexual possibility. Now they are as much a symbol of tedious grind as the wall-mounted signs displaying suggestions/orders such as ‘Smile! Happiness! Engage! Sell!’.

“How’s your blog coming?” Laura asks me.

“It’s OK,” I say, surprised and pleased she cares.

“I keep meaning to check it out,” she says. “Write down the address again for me.”

“That would be a waste of paper and ink,” I say, and she doesn’t bother to deny it, or perhaps understand it.

“Your book must be coming out soon.”

I swallow a scream. “Not ‘till October.”

She claps her hands together. “Exciting! Have you read Jordan, sorry Katie Price’s new one?”

“No, it’s on my wish list though.”

“She’s like, my idol. She’s so amazing.”

I nod, because there is really nothing else I can think of to do.

On my first break, predictably, I’m at the pub writing the outline of my second novel, sitting outside to avoid the dance music even though it is dark and windy and I have to weigh the pages down with my pint. This is the high point of my day.

The second part of my shift, for which I switch to Price-Drop TV, is utterly inconsequential, although marred by a director who, for Christ’s sake, cares, and who asks for special moves and peers through the window from the gallery to make sure we aren’t talking to each other, presumably because his own life is so empty and devoid of joy that he can’t stand the thought of anyone being anything but entirely unhappy.

After my second break spent at the pub, the beginning of the final part of the shift in Bid goes relatively quickly, and the possibility that this day might actually draw to an end seems within the realm of feasibility. But, naturally, when it comes to midnight, the final depression sets in and the shittiest products of all are dragged out for painfully slow flogging. No matter how many times Peter Simon stops the music to inform us gravely that the price has gone far below anything they could have expected, people just aren’t buying. What depresses me more than anything is that for all his humour and generosity, Simon cares about what he is doing. He asks the producers about targets and revenue and wants to do better. I want that spirit, that desire to make the company paying me to do better. But I will never have it because if the company makes an extra ten thousand pounds, what’s in it for me? Why should I want be part of a team that makes its employers richer while my wage stays the same?

Finally, at 1am, we can turn the cameras off and go home. My legs are screaming in pain, and this is why I don’t walk to work, because the walk home would be unbearable. I try to slip into bed without waking Cheryl but she rolls towards me and immediately remembers where I’ve been. She puts her hand on my chest. “Never mind,” she says as I lie stiffly on my back and stare at the ceiling, trying to convince my body that the suffering is over for another day. “Soon you’ll be famous and rich and this will all be a distant recollection for your autobiography.”

She has hope, which is enviable, but I stare at that ceiling and I think about the near-certainty of working in shopping telly for the rest of my life and it terrifies me.

Obama? People think they're voting for President Palmer...

“The crones have got me my first national interview,” I told Cheryl, swaggering in a comical fashion in order to hide my real excitement.

“Oh my God!” she said, clapping her hands together. “That’s fantastic!” She hugged me. “What in?”

“The Ealing Leader,” I told her.

“Oh.” I felt her arms go limp. “That’s not really…national as such, is it?”

“Well, ‘national’ is just an expression we use in the industry to mean ‘major’.

“No, I’m pretty sure it means ‘national’.

“Shall I cancel it?”

“No! I’m really proud. Just don’t…”

“Don’t..?”

She pulled back and held my hands. “Don’t be horrible.”

“I’m just going to be myself.” Her smile looked more like a grimace.



We meet in a bar by the Bank station. It is otherwise empty, and Amy and I sit in a booth in the corner. “Where’s your DAT?” I ask once we’ve shaken hands.

“I’m old fashioned,” she says, smiling. “I like to use shorthand.”

“I was worried your paper couldn’t afford one,” I say.

She laughs. “Well, we’re not a huge publication, but we have a fairly wide circulation. Everyone gets a free copy through their door.”

“Yeah, but I just throw mine away without opening it.”

“Oh. Well, you should take a look. There are some interesting articles about issues that really affect local residents. That’s why I enjoy doing interviews like this. People like to follow success stories from their area. It’s exciting for people in the community to see that they have a soon-to-be-published novelist in their midst! It will build up a buzz.”

“Mmm. Do Polish people read books in English?”

Her smile drops. “Err…I’m not sure.”

“I’ve actually started drinking Polish beer to fit in with the locals!”

“Yeah, I read that on your blog.”

I cough quietly. “Well, it can work in other mediums. Actually, I was driving on Uxbridge Road last week and a bus from Warsaw was unloading them. But because it was left-hand drive, they were all getting out into the road, and this woman just stepped out without looking and I hit her with my wing mirror.”

“Oh my God! Was she alright?”

“I didn’t stop,” I say, annoyed she’s interrupted my anecdote. “But I was late for work, and when the boss asked me why I said ‘I hit a pole!’”

“You know, I can’t actually print anything racist.”

“Not really racist, is it?”

“Kind of is. My mum’s half-Polish.”

I change tact and bow my head. “My mother died.”

She puts her pen on her pad. “How did that affect your writing?”

“My mum was everything to me,” I claim. “Her influence on my novel was a very direct one. Without her, there would be no book.”

“What’s the book about?”

“Cyborgs, laser guns and the relationship between father and son.”

“Right. I just want to bounce a few questions off you…”

“Bounce away.”

“So that the readers can get a feel for who Christopher Hardy is.”

“'A feel’? Ooh!” I shake my head. “Sorry. Go for it.”

“How important is success to you?”

“Success should be important to everyone. But success doesn’t have to be winning an Olympic gold. It can be getting through the day without hurting anyone, maybe actually having done a good deed. A day when you’ve thrown a McDonalds bag full of rubbish out of your car window should not be defined as successful.”

“Would you like to be rich?”

“I’d like to be comfortable. I’d like not to have to do tedious household chores. Some celebrities say that the routine of washing, drying and ironing clothes keeps them grounded.” I do a ‘wanker’ sign.

“Right.”

“I’d like to not have to fly on Easy Jet. Something about being herded into rooms in designated lines by surly men in uniforms doesn’t appeal to me. Actually, your Polish readers will know where I’m coming from there.” She gasps, so quickly I bring in my concern for the environment. “You know, it’s those low-cost airlines that are responsible for global warming. That’s why I’d like to be able to afford to fly First Class with British Airways every time.”

“Your wife is American, isn’t she?”

“She is.”

“Dare I ask what you think of the Democratic race?”

“The important thing is that Bush is getting out. Everything else is secondary.”

“The next President could well be a woman or a black man.”

“Voting Bush in for a second term was a mistake that veered close to unforgivable. The American people are reacting to that and making amends. They are open to things that would have been inconceivable in the past.”

“What do you make of Obama?”

“He seems OK. My concern is that people are confused because of 24. They think they’re voting for President Palmer.”

“Amazing.”

“But we should be worrying about Britain. We should be focusing on people’s real concerns.”

“And what are those?”

“Aeroplane turbulence. The lack of public tennis courts. The melting of the Polar ice caps. We should be finding effective ways of turning sea water into drinking water, which would solve the problem of world thirst and the threat of flooding. As the sea levels rise we could just drink it.”

“Have you thought about going into politics?”

“As with so many people I raise questions but, alas, have no real answers. But I do know that the price of housing is eroding the class system. I grew up middle class and I earn a liveable wage. But I can’t afford to buy a house. No one my age can. We have a whole new generation who should just be called Renting Class.”

“Top ten people you’d like to hang out with?”

“One shouldn’t meet their heroes. I’ve done it a few times and it always goes badly.”

“What, they’re rude or boring, or...?”

“No, they’re always great. But I’m usually drunk, and things can get nasty.” At this point my third whiskey arrives. Amy sips her diet Coke.

“Maybe just ten people who you’d like to hang out with if you were sober and nicer?”

“Peter Doherty, Steve Coogan, Damon Albarn, Roger Federer, Conrad Keeley, Karl Pilkington, Jack Dee, Paul Simonon, Mick Jones, Topper Headon.”

“Are any of those writers?

“Not primarily.”

“Or women?”

“What are you implying?”

“Nothing.”

“I’m not gay.”

“Well, no, you’re married.”

“So was Liberace.”

“Was he?”

“I don’t know.”

“Are you scared of death?”

“Not death, just the pain of dying.”

“Do you believe in an afterlife?”

“My worst fear is that death is just a paralysis and you’re still aware of everything that’s going on. There’s no dignity in death. All that nakedness. Everyone gets a look. And you’d have to suffer through an autopsy, and then get thrown in a box and either burnt and ground up or stuck in a hole to rot. I’d hate that.”

“But if your heart has stopped…”

“No one knows what happens, do they?”

We stay for another hour and I make use of her expense account. The whiskeys keep coming. I haven’t eaten.

“What’s next for you?”

“The company are forcing me to write another Sci-fi book.”

“Forcing you?”

“If you a write a series of books in the same world with the same characters over generations then the geeks who actually buy this stuff will stick with the whole series and buy the back catalogue if they come to it late. That’s the theory, anyway.”

“You don’t see yourself as a Sci-fi writer?”

“I see myself as a writer. Pigeon-holing is purely marketing. I don’t even see Clear History as Sci-fi. It’s just a story set in a slightly alternative world. But now my next book will be a prequel explaining how this world came about. That’s if the first one sells enough. So buy it!” I shout at the table before remembering there’s no Dictaphone. I finish my whiskey.

“So what do you want to be writing?”

“I’ve got an idea about terrorism. That’s really hot now. In the middle of the night, a group of terrorists – Polish, maybe – sneak into Heathrow airport and replace all the fuel with water. The next morning, all the planes get filled up with water, so the fuel gauge still registers as full, and then an hour into their journey the fuel runs out and they plummet to the ground. Hundreds of them. It’s good, isn’t it? Isn’t it?”

She nods. “Well, I’ve got more than enough. It’s been fascinating.” She holds her hand out.

My head swims with booze. “Perhaps you’d like to take this party elsewhere.”

“I’ve actually got to get back to the office.”

But I can detect hesitation. I wink. “Care to set up office in a hotel room?”

She screws up her face in disgust. “Jesus.” She gets up and walks out.

“At the very least you’ve got a story to tell,” I shout after her, and order another drink.

The Ealing Leader hasn’t published the interview yet.